Programme Details

Thursday, 22 April 2010

9.30 – 10.15             Welcome and Opening: Sruti Bala
Film screening: Edward Said: The Last interview (Mike Dibb)

10.15 – 10.30           Coffee/Tea

10.30 – 12.30           Roundtable 1: Nation State – Homeland

Academic: Kati Röttger

Activist: Yoad Winter, Gate 48

Artist: Chokri Ben Chikha,
KASK (Royal Academie of Art)/Hogent Association University of Ghent

Moderator: Ihab Saloul

Respondents: Sudeep Dasgupta (to be confirmed)

The “nation state” and “homeland” form two oppositional keywords that span a range of tensions and questions that are recurrent in Said’s work. He opposed rigid nationalism, whilst openly recognising the need for national liberation. He highlighted the vantage position of the exilic, whilst strongly objecting to violent expulsion of peoples by the State. The panelists will respond to the following questions from their own areas of knowledge and action:

How is it possible to oppose virulent nationalism without losing sight of the human need for places of belonging and of affiliation?

How do you think Said’s critique of imperialism needs to be applied or sharpened in the current political developments at national level (Netherlands, Israel-Palestine)? What is your answer to the often repeated question of how to look at “the Other” or “the Outsider”?

12.30 – 13.30            Lunch Break

13.30 – 15.30            Roundtable 2: Masterpiece – Counterpoint

Academic: Michiel Leezenberg

Activist: Marjolein Meester

Artist/Activist: Merlijn Twaalfhoven

Artist: Lina Issa

Moderator: Birgit Abels

Respondents: Saskia Kersenboom, Wim van der Meer

Said’s literary and music scholarship oscillated between a careful but dissident interpretation of canonical texts and masterpieces on the one hand and an insistence on including voices from the margins, “on confronting dogma and representing all those people and issues that are routinely forgotten or swept under the rug” on the other. The panelists are requested to respond to this opposition of counterpoint or counter-narrative and masterpiece or canon, based on their own areas of work and engagement. Questions to be addressed include:

What is the position of the canonical or the masterpiece in your work? How do you perceive your role as public intellectual or citizen, in relation to the discipline or subject or medium that you have chosen to work in? What is needed today for a more dissident and counter-hegemonic public culture?

15.30-16.00              Tea Break

16.00 – 17.00           Rokus de Groot: “Contrapuntal Intellectual: Edward Said and Music”

Lecture based on the Edward W. Said Memorial Lecture, American University, Cairo, November 2009.

How can music contribute to the intellectual debate about globalization, postcolonial issues and cultural transformation? Time and again Edward W. Said has pointed to a powerful musical ability: polyphony, and especially its dimension of counterpoint. He has studied polyphony as a musical practice, as a metaphor, and as a mode of thinking. Far from accepting the current reduction of music’s role to a mood regulator, identity marker and kick provider, he has stressed its exemplary intellectual potential. Polyphony is one of the rare human endeavours in which full recognition of individual profiles (‘voices’) and their constant mutual attuning are completely integrated, with a vital role of conflict. Equality of voices is manifesting itself in mutual ‘responsibility’ (Boulez) and mutual transformation of those voices, in an engagement characterized by pleasure, inclusiveness, discipline and invention. To Said, the music of Johann Sebastian Bach was exemplary as polyphony: not ‘old music’ at all (whatever that may mean), but surprisingly one of the most advanced in terms of human emancipation. Polyphony offered a counter-discourse to Said against totalitarianism and commodification. The lecture analyses Said’s thought about polyphony, in his conception of ‘identity’, and his reading of the Western literary canon in relation to the multitude of texts world-wide which has formed it. On the basis of specific music examples, his metaphoric use of polyphony will be both challenged and refined. Proposals will be offered how musical polyphony can be further explored as an intellectual mode adequate to a time of globalization and cultural transformation.

17.00 – 18.00          Exhibition: Out of Place
curated by Min K. Shin, Johnson Leow and Niels Hoogendoorn

A soundscape exhibition about Asian artists living or working in Amsterdam, their motivations and their responses to Said’s notion of ‘exile’. (The exhibition will be open from 22nd to 27th April)
Location: D.08, Basement of the University Theatre, Nieuwe Doelenstraat 16, Amsterdam

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